20天，超过3500公里的土耳其旅程，变成3分半钟视觉效果与人文气息兼备的短片！Vimeo 2014年度视频Top 1

一档以报道世界各国电影全貌为重心的国际性电影文化专题栏目。

一档以报道世界各国电影全貌为重心的国际性电影文化专题栏目。

此片根据CAPCOM的著名动作射击游戏《丧尸围城》改编，故事发生在一个叫Megadome的城镇上，一种新型丧尸病毒袭击了这个地方，普通的病毒抑制剂“僵立停”无法对付这种病毒。新闻记者Chase Carter和他的摄影师Jordan在检疫站采访时遭到了丧尸的袭击，Jordan一个人开车跑了，而Chase则和两名女幸存者准备逃出城镇。很快他们便发现，他们不但要对付丧尸的威胁，还必须面对心狠手辣的Logan和他手下的飞车党成员……

此片根据CAPCOM的著名动作射击游戏《丧尸围城》改编，故事发生在一个叫Megadome的城镇上，一种新型丧尸病毒袭击了这个地方，普通的病毒抑制剂“僵立停”无法对付这种病毒。新闻记者Chase Carter和他的摄影师Jordan在检疫站采访时遭到了丧尸的袭击，Jordan一个人开车跑了，而Chase则和两名女幸存者准备逃出城镇。很快他们便发现，他们不但要对付丧尸的威胁，还必须面对心狠手辣的Logan和他手下的飞车党成员……

"Das Kino und der Tod/Cinema and Death"(1988), is one of his 'Cinema Anthology' ,which was made by extraordinary Bitomsky's voice and movement of his hands that turn over photos of murder in films.It's 'a film noir as a film essay which analyzes film noir'. When he analyzes classic films like Hitchkock's "Torn Curtain",Lang's "Hangmen also die", Siegel's "The Killers",Aldrich's "Kiss me deadly",etc, each viewer tries to remake the images that always becomes uncertain in the memory,with the movement of Bitomsky's hands and voice as a detective showing photos of evidence of murders. There is an astonishing moment of new discovery of the image which we remember as a movement of the film.

"Das Kino und der Tod/Cinema and Death"(1988), is one of his 'Cinema Anthology' ,which was made by extraordinary Bitomsky's voice and movement of his hands that turn over photos of murder in films.It's 'a film noir as a film essay which analyzes film noir'. When he analyzes classic films like Hitchkock's "Torn Curtain",Lang's "Hangmen also die", Siegel's "The Killers",Aldrich's "Kiss me deadly",etc, each viewer tries to remake the images that always becomes uncertain in the memory,with the movement of Bitomsky's hands and voice as a detective showing photos of evidence of murders. There is an astonishing moment of new discovery of the image which we remember as a movement of the film.

《黑色电影与电影黑色》是一部按时间顺序拼贴的作品，它挪用了那些来自所谓的经典好莱坞时代的大量影像——也就是在1950年代，法国评论家称之为“黑色电影”的作品，这个特殊的类型，被认为是20世纪人类心理史及战争史黑暗景观的表征。这部拼贴作品涵盖了从美国1940年代早期到1950年代后期横跨20年、近310部黑色电影，同时也采用了一些其他国家的黑色电影。它将黑色电影们化作自己的“操作领域”，重现于当代语境，并以极具破坏力的剪辑再创造，与历史上的黑色电影交相辉映形成了一次闭环，像一只在历史和欲望的门槛上游荡的“衔尾蛇”，那可见和不可见的光与影的交织令我们沉迷。